SinopsisThe Rooftop Prince Episode 1-20 Tweet. Title: The Rooftop Prince. Also known as: Attic Prince. Genre: Fantasy, comedy, romance. Episodes: 20. Broadcast network: SBS. Broadcast period: 2012-Mar-21. Air time: Wednesday & Thursday Night 21:55. Posting By.cinema-max.blogspot.com----- Sinopsis : Adalah Putra Mahkota Lee Gak (Park Yoochun Sinopsis Drama Korea Rooftop Prince Drama Rooftop Prince menceritakan tentang pangeran dari dinasti Joseon yang ditinggal mati istrinya. Ketika merasa kehilangan, tiba-tiba ia terdampar di abad 21. Saat kebingungan, ia bertemu dengan wanita yang sangat mirip dengan istrinya dan jatuh cinta padanya. Details Drama Korea Rooftop Prince Title 옥탑방 왕세자 / Oktabbang Wangseja Also known as Attic Prince Genre Fantasy, comedy, romance, time travel Episodes 20 Broadcast network SBS Broadcast period 2012-Mar-21 to 2012-May-24 Air time Wednesday & Thursday 2155 Original Soundtrack Rooftop Prince OST Daftar Pemain Drama Rooftop Prince Micky Yoochun as Lee Gak / Yong Tae Yong Choi Won Hong as young Lee Gak Han Ji Min as Park Ha / Bu Yong Jun Min Seo as young Park Ha / young Bu Yong Lee Tae Sung as Yong Tae Moo Jung Yoo Mi as Hong Se Na / Hwa Yong Kim So Hyun as young Se Na / young Hwa Yong Download Drama Korea Rooftop Prince Sub Indo Episode 1 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 2 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 3 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 4 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 5 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 6 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 7 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 8 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 9 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 10 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 11 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 12 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 13 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 14 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 15 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 16 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 17 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 18 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 19 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive Episode 20 END 360p Hardsubs Indo UppIT MP4upload SolidFiles Google Drive
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recaps discussion news cast 530 May 24, 2012January 24, 2016 Rooftop Prince Episode 20 Final by javabeans Well, wouldn’tcha know Here’s a surprisingly satisfying ending for a series that was in danger of losing its way on multiple occasions. We finally get at the truth of the big Joseon mystery, and I was pleasantly surprised with how well it worked with the plot we’ve seen thus far, and the characterizations of our characters in both time zones. I’ve always wanted to go back to the Joseon times more, and missed the story that got left hanging after the first episode, so I was reminded of how I felt when beginning the show. It makes me think that it was a shame the show didn’t capitalize on the past storyline more, though I can see that the whole point was in making the future the key to the past. In any case, if a flagging drama had to pull out one really strong episode amid a bunch of middling ones, the finale sure is the place to do it. It seems viewers agreed, since the finale pulled Rooftop Prince into first place after giving up that slot to Equator Man for weeks; it went out with a while Equator closed with a The King 2 Hearts ended on an rating. SONG OF THE DAY Fanny Fink – “Hear Song” [ Download ] Audio clip Adobe Flash Player version 9 or above is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. FINAL EPISODE RECAP Yi Gak disappears from the modern world, leaving Park-ha crying on her lonely rooftop. As for the other side of the wormhole? We find Yi Gak reappearing in his own era, still dressed in his wedding suit, sitting in a barn. It’s a strange sight for the locals, and he attracts stares as they pass by the marketplace. Then a team of policemen barrel through the crowd right for him, yelling, “Stop! Capture him!” Who, me? turns into OhcrapRUN! As he flees, he literally runs right into Chi-san, who’s also running, still dressed in the same shorts and flip-flops he was in when he disappeared from the 21st century. Wait, have you been running for two whole days? Or does the wormhole dump all travelers into the same time, despite staggered departures? Lucky for them, these are incompetent officers who lose him in plain sight. Though I suppose since they’re Prince Yi Gak’s line of defense, maybe not so lucky after all. The boys briefly split up in the chase, and when Yi Gak finds Chi-san, he’s unconscious in the street with blood smeared on his face. He moans in pain… and then licks the blood away—ketchup, his favorite trick—and asks, “They’re gone, right?” HA, and now it makes sense why Chi-san was eating a hamburger in the car when he vanished, because now he clutches a small foil ketchup packet. Handy, that. They’re safe from the authorities, but now the problem is how to get back to the palace without being immediately cast away as crazies. Thankfully, Yi Gak spies something in the distance two ordinary-looking Joseon men, drinking from beer cans. Haha. Looks like Man-bo and Yong-sool’s ever-present backpacks saved their hides after all. They didn’t leap with Joseon money, but they were able to trade a pack of gum for a full meal; a little modern marvel goes a long way. Thirsty Yi Gak reaches for a drink, but the can is empty and Yong-sool reminds him a little defensively, heh that they were responsible for their own belongings. As in, If you wanted one, you should’ve packed one. Fortunately, Man-bo thought to pack the prince’s royal garb, which eliminates their biggest concern. Elsewhere, Minister Hong—Bu-yong and Hwa-yong’s father—is informed of the prince’s shocking reappearance at the palace, which he does not take as good news. If Dad’s reaction weren’t enough to tip us off that he’s secretly aligned against the prince, how about the fact that his partner dun dun dun! has Tae-mu’s face? Apparently his name is Muchang-gun, but no need to introduce new names at this point, is there? Joseon Tae-mu it is. Minister Hong angrily tells Joseon Tae-mu that the prince was reportedly taken care of last night when he was chased through the forest. Ahh, so the boys have returned just one day after their initial time-leap, and Joseon Tae-mu did try to assassinate him. Heh, so his incompetence as a murderer spans time and space; good to know some things are consistent. Lord Tae-mu gets up, takes his sword out, and slices down the two henchmen stationed outside “It appears that the assassins made a mistake last night.” The ducklings return to the palace to meet the prince after having some time to go home, see their families, and dress in their old clothing. They’re puzzled at the inconsistency of the time lapse as well, which resulted in one sisterly, “Ew, gross, get away,” when Man-bo gave his sister a bear hug in relief, since she’d just seen him the day before. They wonder if it could have been a dream, and at Man-bo’s modern reply of, “No way, that’s crazy,” Yi Gak reminds them all to remember their Joseon mannerisms. Ha, now they’re fish out of water in their own time zones. Talk about monster jet lag. Now that everyone’s back in their rightful places, it’s time to turn their attention to that mystery. The prince orders his team to set up a special division at the Euigeumbu the Joseon department investigating crimes under the king’s decree, and to summon the princess’s family there. Bu-yong’s mother can’t understand the summons, and she’s still grieving for her daughter. But Minister Hong understands the greater politics at play and declares that it’ll all be over soon “Either I will die, or the Crown Prince will.” Thus they are rounded up and brought before Yi Gak, who asks if they understand why they’re here and where Bu-yong is. Minister Hong claims complete innocence regarding Hwa-yong’s death, and his wife explains that Bu-yong is shut in her room, suffering from a contagious disease. But Yi Gak isn’t here to find out answers, but to reveal them. He begins with the death seven days ago In flashback, we see Bu-yong looking wistfully at the prince, hidden around a corner as he walks through the courtyard. She trips and falls, dropping a cosmetics container with powder, which spills to the ground. Yi Gak comes up behind her as she’s crouched on the ground and has a little fun teasing her. He offers his hand, tsk-tsks about her tripping yet again, and asks about the dropped container. Bu-yong identifies it as face powder sent to the princess by their older brother. Yi Gak is delighted to hear that she hasn’t been able to figure out his puzzle—what dies though it lives, and lives though it dies?—and says that if she doesn’t produce the answer by tomorrow, he wins. Bu-yong visits unni Hwa-yong in the palace and makes her deliveries the powder from their brother, and a letter from their father. Bu-yong notes that the powder smells a little different, wondering if it’s because it’s from China, and asks to take a look. But Hwa-yong—who opened the letter looking disturbed—snaps at her not to touch it, rattled by whatever Daddy wrote her. To kill the prince, perhaps? There’s one last thing, and Bu-yong hands over a new handkerchief she has embroidered for the prince. But Hwa-yong is so upset by the letter that she barks at Bu-yong to leave. Bu-yong arrives home while Joseon Tae-mu is sitting with her father, and the two men clam up at the sight of her. Curious at their unfamiliar guest, Bu-yong asks her mother about him, and learns that he is Muchang-gun, the prince’s half-brother. He’s such an obscure prince that Bu-yong has never heard of him, but that’s because he was kicked out of the palace when he was three, when his mother was dethroned. Bu-yong starts to wonder at the curious circumstances, especially when her mother dismisses her questions and says vaguely that it’s Dad’s business. The clues are too odd to ignore, and she muses that the powder didn’t smell like cosmetics. She remembers her father’s letter, which she was instructed to bring back after the princess had read, which she forgot to convey back to Dad. Bu-yong takes it out and reads the ominous contents “Your Highness, today is the day. Listen to your father’s words carefully, you must not make a mistake.” Bu-yong understands that a plot is under way, just as Minister Hong remembers that he was supposed to get the letter from her. He sends his underling brother? son? to retrieve it, which is found in Bu-yong’s room, open and clearly read. She’s gone, though, having raced away to the palace, desperate to interrupt the deadly plot. Joseon Tae-mu can’t have that and orders his men to capture her, killing her if necessary. His coup is on the line. As Bu-yong runs, we hear the rest of the letter’s contents That Hwa-yong is to handle the dried persimmons at their nightly tea, distracting the prince long enough to sprinkle the powder on top. So Hwa-yong presents the prince with his new handkerchief, and while he admires it, she poisons the persimmon and serves him tea. He comments that he met her sister today, and that he saw her tripping and spilling that face powder. The longer he talks, the more nervous Hwa-yong gets, shaking in guilt and fear. Just as he reaches for the persimmon, Bu-yong is announced. She has to explain her presence somehow, and Hwa-yong rebukes her for ignoring the rules, telling her to come back tomorrow. Both sisters distractedly eye the persimmons—one needs the prince to eat it, the other is relieved they’re yet untouched. Yi Gak is in a generous mood, though, so he allows her to stay and asks what she has to say. Bu-yong replies that she has solved the puzzle, making him chuckle. He’d told her she had until tomorrow, so this is her way of winning the bet he assumes. She says, “The answer is… Bu-yong lotus.” Hwa-yong smirks at the audacity of naming herself, but the prince asks for the explanation. Bu-yong explains how the lotus is a flower that grows in a pond, whose roots go deep below into the ground, where all living things die. In order to flower, the lotus takes in that which has died; even though it lives, the flower must die for its seeds to again fall to the ground to bring new life. Furthermore, in Buddhism the samsara is a concept of the birth-life-death cycle, which is represented by the lotus. Yi Gak laughs at that, impressed, and concedes that he lost again. By now Hwa-yong is edgy and impatient, and dismisses her sister. But Bu-yong can’t just go, and asks for her reward the persimmon. Aww, that’s so sad. And a helluva lot more poignant a sacrifice than running in front of a car, because while the situations are paralleled, the actual mechanism of the conflict works much better in this intrigue-laden Joseon era, with treason and coups and betrayals galore. She can’t reveal the truth without condemning her entire family to ruination and execution, so she’ll just eat the poison and save the prince. Hwa-yong looks troubled while the prince finds the request paltry, but Bu-yong entreats him to comply, saying that this is what she needs right now. With trembling hands, she takes them and eats, every last one. And Hwa-yong doesn’t say a thing. When she’s done, the prince calls it a night, and Bu-yong asks him to live in peace. Hwa-yong hangs her head, blinking back her own tears. When Bu-yong leaves, she’s already feeling the effects and stumbles weakly. She asks the court lady that if the princess should look for her later, to meet her at the Lotus Pavilion. Then, with difficulty, she staggers out to wait by the pond, breathing painfully, remembering all her times with the prince. After the prince goes to sleep, Hwa-yong slips away with two court ladies, heading to the pavilion. She leaves them outside the building, then faces her dying sister inside. I’m going to give Hwa-yong a wee bit of credit in thinking that she is rightfully horrified that her sister is dying, even if her first words are to blame Bu-yong for “ruining everything.” But it’s very wee. Hwa-yong points out that Bu-yong’s big sacrifice isn’t going to fix much, since once she’s dead it’ll be easily discovered that she was poisoned, and their whole family will be killed if it is linked to an attempt on the prince’s life. But Bu-yong pleads with her sister for one last request, to protect the prince. To that end, she has a plan Dress Bu-yong in the princess’s clothes and pass off her corpse for Hwa-yong’s. If her body is believed to be the princess’s, it’ll deflect the suspicion away from an assassination attempt on the prince whereas, nobody has cause to murder a nobody like Bu-yong, so if her body were discovered, the inquest would continue. This means Hwa-yong will have to give up her identity as the princess, but it would spare the family’s life. Furthermore, without his connection to the princess, their father loses his position of power and therefore he can no longer be a threat to the prince, and therefore the coup against Yi Gak will stall. Time is running out, and Bu-yong gasps in pain that they must hurry. The women trade clothing. Outside, however, Joseon Tae-mu is on the prowl, dressed in dark assassin’s clothing. He spies the court ladies and approaches the Lotus Pavilion, and cuts them down—finally, a successful murder! Yay? Hwa-yong, dressed in Bu-yong’s clothes and face mask, emerges from the pavilion alone and runs to her father’s house. Bu-yong, meanwhile, starts to cough up blood. She clutches a letter in one hand and rises with difficulty to hide it behind a screen. Outside, she looks into the water for long moments, shaking in pain and fear as she prepares herself. Murmuring, “Your Highness,” Bu-yong closes her eyes and falls into the water to her death. End of flashback. In the “present” day Joseon timeline, Yi Gak finishes relating this story to the Hong family with angry condemnation. Minister Hong insists that it was the princess who died, and it seems like the parents really are surprised. Yi Gak challenges them, asking if they can be absolutely sure that the sickly daughter at home is Bu-yong. He orders his ducklings to search the household for Bu-yong, and accompanies his team of special investigators to scour the property. She is discovered hiding, and Yi Gak reaches to uncover her face, just as they hear the approach of attackers. It’s Joseon Tae-mu and his team of rebels, leading to a skirmish in the courtyard. He seizes his bow and arrow and shoots at Yi Gak… getting him square in the chest. Oh noes! Yong-sool corners Joseon Tae-mu, though, stopping him in his tracks with a sword to the throat. And curiously, Yi Gak doesn’t seem to be in pain as he pulls the arrow from his chest. Aw, did his marriage pendant save his life? Now he turns back to Hwa-yong, ordering her to raise her head to face him. He pulls the mask from her face, and sees his wife. That confirms everything, and he looks at her with furious contempt. Hwa-yong grabs his legs and begs for mercy, crying that she knows nothing, pleading for her life. Yi Gak thunders, “How is it that a wicked thing like you could be the princess?! It is not me to whom you should beg for your life—you should beg it from Bu-yong!” He orders everyone rounded up and taken to the Euigeumbu to be charged as traitors. His men rush to his side, and he reveals the pendant Park-ha gave him, now dented from the arrow. He tells them, “Park-ha saved my life once more. Dummy.” Hour of judgment. Yi Gak charges Minister Hong for the attempt on his life, and orders father and son executed by beheading. He charges his half-brother, whom he’d thought of favorably despite their long estrangement, with the same crime and punishment. In memory of Bu-yong’s sacrifice, he spares Hwa-yong and her mother, but strips the princess of her crown and sends them into exile. Some time later, Yi Gak walks along that bridge alone now, thinking of Park-ha. He makes his way into the Lotus Pavilion, his gaze settling on the screen against the wall. The painted butterfly glows briefly, bringing him closer, and that leads him to a discovery the letter Bu-yong had slipped between the panels. He rips the letter out of hiding and reads the words she’d written in her dying moments. “Your Highness, if you are reading this letter it means you are alive, and that makes me, Bu-yong, happy. There is one thing that is good about dying. I am glad that I can now say the words I have long held in my heart. I loved you, Your Highness. I cared for you my entire life. That which lives despite dying, and dies though living—even hundreds of years later, I will love you.” Yi Gak sheds tears, and then has an idea, scrambling to write a letter of his own, which starts, “Park-ha-ya, I arrived safely. How are you?” He rolls up the paper and slips it into a tube, then tucks that into the palace hiding place he’d once shown her, where he retrieved her jade wedding pendant. Back to the present, where Park-ha returns to the palace. She finds the hiding spot and feels around, hoping for something. She does, and opens the tube with anticipation, finding the old, yellowed parchment. The letter continues “If you are able to read this letter, three hundred years will have passed. And if this letter finds its ways into your hands, I take back my words calling you Dummy. Is your fruit juice business going well? I can only imagine how you are doing, unable to touch you. I miss you like crazy. I want to hear your voice, and touch you. If I could die and meet you, I would die right now.” And then, a familiar face arrives to order an apple juice. She’s in such a daze that he has to call to her twice, and then she doesn’t even spare him a glance. It’s Tae-yong, or is it Yi Gak?, and he smiles pleasantly at her. The letter goes on to say, “I should have said I love you more. Park-ha-ya, I love you. I miss your smiling face like crazy. You must be well.” The customer pays and keeps looking at Park-ha expectantly, like he wants her to look at him. But she barely notices, and he leaves. Back to Joseon, where our ducklings… have set up a food stand of their own, selling—what else?—omurice. They even make their own fresh ketchup, bickering like old friends, and Chi-san even plugs in his iPod to ignore Man-bo’s nagging. Ha. What’re you gonna do when those batteries die, huh? The boys make their delivery to the prince, and then poof, instead of their Joseon hanboks they’re wearing those comfy newfangled tracksuits, so they can eat their omurice in comfort. HAHA. Okay, that’s pretty cute. They wolf down their food like old times, but as he finishes, Yi Gak finds himself on the verge of tears and sad thoughts. He makes an excuse, but the boys know what troubles him, and offer him a park-ha peppermint as dessert. And today, Yong-sool gets the evil eye for crunching into his, hee. 2012. Park-ha arrives at work to find a postcard of the Seoul Tower stuck into her front door, with a note asking her to meet there tonight. On the flipside is a new sketch of her, depicting her at her juice blender, with Tae-yong’s familiar initials in the corner. And THAT gets her attention, finally. She arrives at the meeting point and waits for a while, masses of tourists passing by in a blur. When the crowd disperses, one person is left standing by her side, looking at her with an expectant gaze. It’s Tae-yong or is it?, and he asks, “Why are you so late? I’ve been waiting for a long time.” Park-ha asks where he’s been, because “I was here the whole time.” He’s looking at her like he knows her, but it’s not entirely clear which incarnation this is. My brain says Tae-yong, but the heart hopes for Yi Gak… Tae-yong holds out his hand to her, and she takes it. The moment she does, suddenly the man transforms right before her eyes, wearing prince’s robes. They look at each other with tears running down their faces, both thinking to themselves, “Even after three hundred years pass, I will love you.” COMMENTS I was holding out hope till the very last moment that Yi Gak had found a way back to Park-ha somehow, even if that would have flouted all narrative logic. Hey, it’s not like the show has a lot of that left to lose. But no, it’s Tae-yong standing there at the end, as the couple’s last words remind tell us that we’re looking at the three-hundred-years-later version, not the original. And even though I balk at the idea of swapping out one Yoochun for another, reincarnated soul be damned, the show does manage to soften the blow by giving us the image of Yi Gak at the end to assure us that yes, he is the same person. Kind of. As in, this isn’t a cheap copy that we’re left to settle for, but as close a thing to the real deal as you can wrap your head around. I confess to not being entirely sold on the reincarnated soul making up for the loss, but I appreciate the last scene’s depiction of the reunion—it isn’t the same pairing that we’ve been watching all series long, but because Park-ha sees Tae-yong dressed as Yi Gak in her mind, it seems to be saying, it’s like their souls recognize each other. The material world and their current bodily trappings change from lifetime to lifetime, but the essence of their love is still there, and that recognition sweeps through them both. It’s not a perfect happily ever after, but I’m strangely okay with it. Possibly because this show isn’t one that sticks with me emotionally in the first place so its flaws don’t upset me terribly either. I suspect that if the show had gone out on Tae-yong and Park-ha together, I would have been unhappy, but the swap to show Yi Gak standing there, reinforcing that it’s supposed to be the same soul, does go a long way toward getting me to accept it. I do feel like Yi Gak sure got stuck with the short end of the stick, in that he loses both Bu-yong and Park-ha and has to live the rest of his life single. He’s got his sidekicks there, which helps, but he doesn’t get a consolation romance like Park-ha. I guess she’s the one who has to live knowing that Yi Gak is already dead, but somehow I think it’s worse to be him, either pining or grieving or in an existential state of “Well, I guess it all works out in the end, even if it’s not MY end.” On the other hand, his Joseon storyline was always about bringing justice for the murder, not recovering a lost love. He starts out the drama grieving for his wife, and he never harbored illusions of being able to jump back in time to bring her back to life. So in that regard, he succeeds in what he set out to do uncover the murderer, realize the truth, and punish the wrongdoers. If he hadn’t time-warped in the first place, he would still have had to deal with the grief of losing a loved one; at least in this case he knows he loved the right one? I was satisfied with the wrap-up of the Joseon mystery in the final episode, and found Bu-yong’s sacrifice pretty heartbreaking. I understood it and felt for it, even though the very same action in 2012 had me scoffing and rolling my eyes. Her act had more emotional impact, and I felt the bittersweetness of Yi Gak’s discovery of what she’d done. The finale also made me think that the seeds were planted well enough in advance to convince me that the writer DID know what he was doing. He clearly had the important beats worked out from the start, and the neatness of the resolution proves that this there was a decent amount of forethought given to the plot. The problem this drama had is the opposite of a lot of other live-shoot dramas, where you can sense the story unraveling at the seams and writers throwing whatever they can at the show to keep it going. Here, it feels like the show knew how it was going to end, but didn’t do a good job budgeting its plot in the middle portion and ended up whipping up whatever stories it could to keep the show treading water till it could dovetail with the planned part. I do wish the plot mechanisms were more explained, though, since I’m still left wondering at the reason for the time-jump in the first place. We get a vague understanding that there’s a Fate-like power deciding when to move them forward and backward, and I think we’re safe in assuming that this Fate allowed Tae-yong to wake up after Yi Gak left his world. But it never quite addresses the Why of it all. Do random other people throughout history also get to visit their future selves, when something goes awry in their own worlds? All in all, Rooftop Prince was a fluffy drama that I could watch easily without thinking too hard, especially when the show brought on the cute characters, fish-out-of-water jokes, hilarious sight gags and puns, and the sweet chemistry between Yoochun and Han Ji-min. It definitely is a show where the charm of the cast makes up for a lot. Ultimately there wasn’t a whole lotta plot, which means that half the show was spent stretching out the same beats and repeating them with slight but insufficient variations on the same theme. Here’s a case of a show that should’ve been ten episodes at most, having to scrounge up stuff to fill twenty. At least we had amusing interactions, with beautiful crying by Han Ji-min and an impressive leap in performance by Yoochun, who stretched himself a lot with this role. I’ll look forward to more things in both their futures—as well as the Joseon ducklings—though the production team is on notice. RELATED POSTS Rooftop Prince Episode 19 Rooftop Prince Episode 18 Rooftop Prince Episode 17 Thing vs. Thing Time-traveling Heroes Rooftop Prince Episode 16 Rooftop Prince Episode 15 Rooftop Prince Episode 14 Rooftop Prince Episode 13 Rooftop Prince Episode 12 Rooftop Prince Episode 11 Rooftop Prince Episode 10 Rooftop Prince Episode 9 Rooftop Prince Episode 8 Rooftop Prince Episode 7 The untold love story Rooftop Fashion King Rooftop Prince Episode 6 Rooftop Prince Episode 5 Rooftop Prince Episode 4 Rooftop Prince Episode 3 Rooftop Prince Episode 2 Rooftop Prince Episode 1 Tags featured, Han Ji-min, Jung Yumi 2, Lee Tae-sung, Micky Yoochun, Rooftop Prince Premium Supporter Currently Airing However the truth is that after The following Manner of Death Episode 10 English Sub has been released now -for the Modern Pet Parent チート薬師のスローライフ 第01巻 [Chito Kusushi no Suro Raifu vol 01] 53 . 16) Anonymous Noise (2017) Spark (2017) 16) Anonymous Noise (2017) Spark (2017). The following Ultimate Note Episode 35
recaps discussion news cast 238 May 3, 2012January 24, 2016 Rooftop Prince Episode 14 by javabeans The Cute is back, which is always a good thing with this show, where so much of the charm comes from the characterizations. I’ve been missing the fun in any episode that’s heavily skewed in favor of the company plotline, even though those tend to move quickly, because no matter how fast the evildoers move, it’s no match for the warm fuzzies that come from our makeshift rooftop family being adorable together. EPISODE 14 RECAP Yi Gak confronts Se-na about her lie, and demands to know the truth. I’m pretty much expecting her to wriggle her way free with a good cover story, because while she’s been caught red-handed, I have no doubt she’s glib enough to make it work in her favor. She lets a tear fall and says, “It’s because I love you. I love you, but it was too painful seeing Park-ha with you.” He’s all, do you expect me to believe that’s why you wanted to send her away? But Se-na plays the victim card, saying, “Actually, it was Grandmother who told me to give Park-ha the ticket.” What? That seems like an easily verifiable lie. But I suppose it gets her out of this hole for the moment since Yi Gak is stunned speechless. She apologizes for not defying Grandma, but he tells her that he’ll apologize on Grandma’s behalf for making such a request of her in the first place. Ugh. Se-na drives off having dodged one bullet, but now she has to work fast to do damage control, and with great anxiety she calls Grandma for an immediate meeting. But of course things are working in her favor here, too, since Grandma is so incensed at the news that her beloved grandson contracted an apartment for Park-ha that she tells Se-na that her “mistake” was nothing to be sorry about “You could have done even more and I wouldn’t be upset!” Se-na apologizes for pinning the blame on her, but Grandma’s so peeved that she barks that she would’ve run Park-ha off without wasting money on an airplane ticket. Grandma tells her she did the right thing—in fact, Se-na should continue to use Grandma as her cover and pretend not to know anything. Ugh, you two. Can you just marry each other and get out of our hair? Yi Gak leaves the meeting replaying Se-na’s words, and I think there’s still some suspicion left in his mind, now that he’s seen how well Se-na can lie. When Se-na leaves Grandma’s house, he’s parked outside and follows her car. Tae-mu has returned from his trip to Chicago and moves back into the officetel. He calls Se-na over, and Yi Gak follows her into the parking garage, where Tae-mu meets her to tell her to move back in. She’s still reluctant, reminding him of her engagement, but he grabs her close, insistent on resuming their relationship. Se-na extricates herself, not accepting his proposal, leaving Tae-mu to declare, “Tae-yong doesn’t love you. I’m the one who loves you!” Yi Gak follows Se-na out of Tae-mu’s building and to another neighborhood doe she never look in her mirrors?, where he recognizes the apartment where Park-ha had once visited her mother. Mom emerges just as Se-na arrives and Yi Gak overhears their discussion, wherein Se-na calls her “Mom” and asks about Park-ha’s whereabouts. Time for a monster brooding session at the river, naturally, wherein Yi Gak starts to put all the pieces together, not only of this lifetime but his old one as well. Park-ha’s question rings in his ears, of whether his princess and Se-na are really the same in spirit. He thinks of Park-ha and Se-na’s caginess when mentioning a sister, now realizing the familial relationship. He wonders, “What must I do now? Must I continue the path I have been traveling, or must I choose a different fate?” He understands that such a decision has irrevocable consequences, and that he may be closing the literal door to the past. “As crown prince, what must I do?” He calls Se-na for another meeting, and she puts on a cheerier face. But he faces her somberly, cutting her off mid-excuse about the Grandma-plane-ticket lie, ordering her not to speak another word of falsehood. She tries to excuse herself with an air of outrage, but he grasps her arm firmly and orders, “Sit down. Until I have finished what I have to say, don’t take one step.” Ooh, badass prince, I like. Unnerved, she complies. Yi Gak confronts her about hiding her relationship with Tae-mu, and her lie about having no siblings when Park-ha is her sister. He accuses her of covering lies with lies, asking, “Have you ever said one true word to me? You are all lies. You are not the person I have been looking for! I cannot marry you.” He literally dismisses her from his sight, and when she doesn’t immediately leave—she’s shaking from shock—he yells at her to go. Se-na leaves in tears, and Yi Gak gathers his boys to break the news. They’re stunned, since that eliminates their entire purpose for being here, and he apologizes to them. Aw, and that leaves the boys to sit glumly, hugging the things they’d bought to remind them of home Chi-san with his medicated patches, Yong-sool and his beef jerky, Man-bo and his jar of cosmetics. In an angry gesture, they declare that since they may never go home, they may as well use those objects, and hilariously tear into the packages. Yong-sool chomps down on beef, Chi-san slaps patches on his body willy-nilly, and Man-bo smears cream on his hands. While his friends are cursing the prince’s attachment to Park-ha for this derailing, Man-bo stops and thinks “If that’s how the prince and Park-ha feel, is that not also fate?” Score one for the smartypants. The other two are still bitter, but Man-bo reminds them that if not for the prince, Yong-sool would have been executed, and if not for the time-warp, Chi-san would have died without his appendix surgery. “And without Park-ha, we would have been beggars in this place!” Man-bo declares that Park-ha must be alerted to the cancelled engagement. Thankfully, he knows where she is. The boys stand with new purpose… and flicker in and out of sight again. Eeeep! Some time later, the boys show up at her house and request some omurice in exchange for good news. They’re so cute with their little-boy nods, all proud of themselves. They break the news, and immediately Park-ha gets up to make the last train back to Seoul. But they’re stuck waiting for Man-bo to finish his dinner, which he’s eating, grain by grain, to their frustration. Deciding they can’t wait, Chi-san sends her off and assures her they’ll follow later. Man-bo waits to hear that she’s gone before he picks up his spoon, grumbling that he was about to die of hunger. Hahaha. Smartypants is playing Cupid. Yong-sool wonders what they’ll do now, and Man-bo smiles and declares, “I have planned something good.” Off to…the pool? Ha, they gape at the pretty girls in bikinis, then sketch one. Yong-sool literally drools on the drawing, smudging the pencil. Park-ha arrives at the rooftop, and her first reaction is to remind Yi Gak of what that engagement meant to him, scolding him for being so quick to give it up. What will he do now? What about home? Yi Gak cuts her off mid-rebuke by pulling her to him and saying that he had no solution. He apologizes, and promises not to pain her anymore. Se-na drowns her sorrows in liquor, then heads to the officetel where, to her surprise, Tae-mu is still waiting. She doesn’t understand how he’s so willing to take her back, but he tells her that he can understand everything “There’s only us in this world. If we’re happy, if we’re here for each other, that’s all we need.” Now, Se-na returns his hug and tells him she’ll listen to him from now on, she’ll do whatever he asks. That includes acting as CEO Jang’s fake daughter, which he promises will only be for a short while, until he can take care of the rest. She makes one request “Get rid of Park-ha.” Ugh. And here I was, almost willing to give you some sympathy for finding your evil pea in a pod—there’s someone for everyone, don’tcha know? She has one more request, but I’m going to go out on a limb and say Tae-mu probably didn’t need to hear it to agree with it “Get rid of Yong Tae-yong, too.” Two more murders, coming right up! Or is it three, now that there are two Yoochuns running around? Ah, well, what’s one more for the road? In the morning, Yi Gak waits for Se-na outside Grandma’s gate, since they have to break the news of the broken engagement. He tells her that since it was his decision, he’ll be the one to bear the brunt of Grandma’s wrath, which is a kindness she finds suspicious. Perhaps it’s because he’s a decent person, or maybe he just doesn’t want to deal with her, but he says he’d like her to return to the life before their engagement, and he’ll handle the fallout of this announcement. Tae-mu’s inside, enjoying the golden boy’s fall from grace, and smirks in Yi Gak’s face. That satisfaction is short-lived, however, because Grandma curtly declares the broken engagement old news and moves on to the stockholders’ upcoming meeting—where she will make Tae-yong CEO. Uncle Money protests, but Tae-mu plays it more shrewdly, telling his father that this is a matter for the shareholders to decide. Grandma puts Tae-mu in charge of building support for making Tae-yong CEO, which makes me think Grandma—already displaying such lack of discernment—must simply be blind to character. I guess I’d feel bad about that if she were the least bit likable. In any case, I’m pretty sure this we can count on Tae-mu to do just the opposite. Uncle Money is concerned by this assignment, but Tae-mu assures him that CEO Jang is on their side, because Se-na is the lost daughter. That perks him right up, and it’s time for a instant turnaround; now Uncle Money starts sucking up to Se-na and tells her he’s sorry, and how he knew all along she was too refined to belong to a fish market ajumma. Since class, in his mind, is a matter of birth and not, say, class. Uncle asks for her forgiveness and welcomes her back to the company while Tae-mu looks on proudly. Now on to the identity theft, because they’ll need forged evidence to assert Se-na’s claim. Tae-mu tells Se-na to bring back some strands of Park-ha’s hair, to be used in a DNA test. The ducklings arrive in the morning, with all of Park-ha’s belongings from her Jinan home packed, which would be presumptuous if they weren’t so adorable with their happiness at having helped. Then they head in to work, where Yi Gak gives them the new task of investigating both Tae-mu and Se-na. Having missed the latest developments, they’re confused by his dictate, but he explains, “Joseon’s princess was respectable and had a beautiful heart, but the princess here is different from what I knew. The princess was not a good woman. Realizing this must be one of the reasons we were sent here.” YAY! I’m doing mental cartwheels in joy. Not only does he realize Se-na’s a hateful bitch, but he has connected her true nature here to her true nature in his own time. The ducklings talk amongst themselves, processing this news. Man-bo’s in disbelief, but Chi-san muses that “those rumors” must have been true after all, though he’d dismissed them at the time. He explains that there was talk amongst the palace eunuchs that the princess was a cruel woman, but the moment they opened their mouths would have ensured their deaths, so the gossip never traveled far. Among the stories is the one we also know that she burned her sister’s face on purpose to become the princess bride. But Man-bo and Yong-sool tsㅏ-tsk the story, calling it outrageous. At work, a scuffle breaks out in the lobby surrounding what appears to be a thief or spy running to evade capture. Yong-sool breaks out his warrior combat skills by chasing down the intruder, and he is thanked by the head of security for stopping him before he could make off with a valuable briefcase. Ah, smart move to ingratiate yourself with the security staff—good allies to lean on for information. Chi-san works his own talents—womanizing—by going out for drinks with a team of female employees. He listens in as they vent and share work stories, and asks about Tae-mu’s reputation. Yi Gak makes a presentation to the directors for a new product he’s working on, a travel package. He speaks with confidence about the Jinan tour, but Tae-mu just smirks to himself while looking at his photo of the real Tae-yong, catatonic in his hospital bed. And then, Yi Gak’s presentation is cut short—or cut into, I should say—by that very image of hospital-bound Tae-yong. Everyone stirs at the image onscreen, and Tae-mu stands up to announce that Tae-yong is currently lying in a coma center in America. He’s essentially a vegetable, with a survival rate of “nearly zero,” and Tae-u accuses Yi Gak of taking advantage of that information to assume his identity. “That man is a fake!” Grandma demands, “What is the meaning of this?” and collapses. Yi Gak attempts to leave the room, but Tae-mu stops him with a punch, calling him a phony… …which is all in his mind? ARG. I hate that trick in dramas, SO. DAMN. MUCH. So now we’re in the meeting, with Yi Gak giving the presentation, receiving applause. Grandma approves the proposal and congratulates Pyo Taek-soo for instructing him well. After the meeting, Tae-mu congratulates his fake-cousin on a job well done, which is suspicious enough to make Yi Gak look at him warily. Tae-mu calls him out on being busy doing background checks on him, then warns, “Be careful. Your days of playing games are numbered.” Se-na comes home and suggests going out with Mom, which is out of character enough that Mom looks at her worriedly, asking if she’s ill. Haha. I suppose it’s something of a farewell gesture for Se-na before she claims a different mother, but to Mom it’s just weird “Was the shock of the broken engagement that severe?” Heh. Aw, I know Se-na’s never appreciated her mother enough, but I don’t think she’s completely without love for her. And knowing how much this makes Mom’s day is enough to make me feel warm and fuzzy, even if I know that Se-na’s a horrible person who’s just going to disown Mom afterward. I don’t think Se-na’s a person incapable of love, but that she’s just limited in how much love she’s got, and most of it’s reserved for herself. Making this moment even more surprising is Se-na’s offer to include Park-ha “Isn’t she part of this family too?” They go out to a barbecue restaurant for dinner, with Mom literally singing to herself in joy. It’s sweet. Park-ha is wary but goes along with Se-na’s seemingly generous mood, keeping her surprise to herself as Se-na apologizes for being selfish and even offers Park-ha a piece of meat. Mom assumes that Se-na has had an epiphany after her jliting, and urges Park-ha to forgive unni. To solidify the female bonding, the ladies head to a jjimjilbang next, and here, Se-na’s ulterior motive becomes clear. She offers Park-ha a comb for her hair, then offers to throw it away for her—allowing her to pocket strands of Park-ha’s hair in the process. Se-na asks if she has any memories of her mother, and Park-ha says no, although she does have one memory from around her dol birthday, when Dad lad her onto his belly since she it was too cold to lie on the floor. Meanwhile, Tae-mu and his father greet CEO Jang, who looks around expectantly for Se-na. When told she’s out on a business matter, CEO Jang’s smile fades and she tells the men that she won’t need their escort on her personal errands, heading off alone. She has a visit with Mom, but she’s hit with a wave of pain due to her cancer and Mom ushers her away to find a place to rest. She ends up going to Park-ha’s rooftop home since it’s closest, and asks Park-ha to look after CEO Jang since she has to go to work. Park-ha assures her that she has the situation in hand, says goodbye to Mom, then turns around to find Yi Gak practically breathing down her neck. Adorably, he’s miffed that she hasn’t introduced him to her mother, but she points out that in this time period, it’s considered polite for the youngun to bow to the elder first. Yi Gak huffs at her setdown, then calls for his backup. Only, the sidekicks have done a much better job assimilating into the modern world, and are currently engrossed in their mp3 players, laptops, and Wii gaming consoles. Hee. Then at dinner, Park-ha prepares a stew made from fresh seafood, and serves CEO Jang first, since elders always go first. Yi Gak holds out his bowl expectantly as the next in rank, only to find that he’s outmaneuvered by his three ducklings, who appeal to Park-ha with their puppy-dog eyes and aegyo voices. So cute. He fumes as he watches each boy get huge seafood goodies, then actually bursts out that there’ll be nothing left for him. HA. CEO Jang then meets with her lawyer to sign away her rights to the company shares in Se-na’s name. Hm, is this independent of the identity theft scheme? Because if so, Se-na has just epitomized the meaning behind shooting oneself in the foot. Speaking of which, the dynamic evil duo are ready to put their plan into motion, and Tae-mu meets with her to inform her that he’s located her lost In-joo renamed Park-ha. He escorts her to meet the lost daughter, and presents her with the DNA test results which, ironically, would have been just as accurate coming from Se-na. The thing is, CEO Jang already knows Se-na is hers and now has to pretend that it’s big news. She tells Tae-mu that it’s such a shock that she needs time to calm her nerves, and asks to reschedule the meeting for later. So she heads back to her hotel room in disappointment—she wants the daughter she doesn’t know about. She thinks, “Se-na, you’re my daughter too. But you’re not the one I’m looking for right now. What are you trying to do? Why are you trying to fool me?” Park-ha does the laundry on the rooftop, while Yi Gak watches, eating his ever-present popsicle. Heh. At least this time he offers her a bite when she comments on the heat; aw, princey’s finally ready to share his treats. He asks why she hid her sister relationship from him, and she explains that there’s no big reason, just that her stepsister didn’t want anyone to know they were related, even if it was just through marriage. Then Park-ha motions him closer with a crook of her finger, instructing him to assist in the laundering. Oh, and it’s not just an excuse to get up close and personal? Okay. Laundry it is. Later that evening, CEO Jang makes the official introduction to her lost daughter, and hugs Se-na, although it’s with a cool expression on her face. She tells Se-na, “I’ve missed you, In-joo.” Over dinner, she asks Se-na about her young memories, and Se-na draws upon Park-ha’s history to answer—that she was in a car accident at the age of 9. Her words happen to mimic the words of Park-ha, who explains her history to Yi Gak, about how she was adopted and doesn’t remember her father’s face that clearly. Se-na tells CEO Jang about one memory about Dad, though, around the time of her dol birthday when it had been so cold Dad had put her on his belly for warmth. CEO Jang’s eyes widen at the familiar story, and she thinks to herself, “Se-na, how could you know that?” As Yi Gak watches Park-ha hanging the laundry, he works through the facts “The princess is Se-na. And Se-na’s sister is Park-ha. The princess’s sister is Bu-yong.” He recalls how Park-ha’s name means lotus, which is the same meaning behind the name Bu-yong. And to confirm his line of thinking, Park-ha pulls down the laundry line—creating a makeshift mask—to talk to him, and he realizes, “Park-ha, you are Bu-yong.” Well, finally! COMMENTS Ratings for Rooftop Prince have settled in the 11% range, which means that it’s basically battling with The King 2 Hearts for second place. The shows are flip-flopping from episode to episode. Given that Rooftop Prince once enjoyed the No. 1 slot as did King, it’s a bit of a disappointment for it to fall to this middling range, but I don’t blame the viewers, since I can feel the show struggling to retain its pep. This episode did a better job of it than the previous one, since I found many more endearing and/or engaging moments here. I felt that the previous one was focused too much on zipping through plot, and in the interest of covering ground it let up on the character interactions. I can see how a comedy bit involving Yi Gak’s fish-out-of-water imperiousness or the ducklings’ quirky reactions to modernity can slow down the overall plotline, but since those are the things that make this drama enjoyable for me, forsaking them is not something I’d advise. I’ve said this before and I still mean it when I say that Rooftop Prince’s charm lies in its quirky comedy—NOT, say, the company politics, the makjang inheritance stories, or the sibling rivalries. It’s also in the Joseon-era mystery and figuring out how it ties into the modern time-jump—which, again, is not directly related to the company machinations. I do wish it would explore more of what sets it apart than settling back on the familiar, because the more we spend on the inheritance/identity swap/takeover plotline, the more I feel like I’ve seen this drama already. Maybe a dozen times. It’s always the same thing, and rarely is it ever more interesting than the previous examples. What I love about dramas, cliches and all, are the little ways in which they can take a tried-and-true formula and put their own twist on things. When you lack that twist, attentions start to wander. That said, I did like this episode more than the previous couple, mostly because a lot of the lies have been discovered and now were in Part 2 of the whole Fate Question. Which is to say as Man-bo pointed out What if this twist is also Fate? What if Yi Gak falling for Park-ha despite their mission is part of destiny? With Yi Gak’s realization that Park-ha is Bu-yong which made me wonder, I thought he figured that out already?—blame the live-shoot madness, we’re entering the final stretch where the characters start to consider that maybe they had it all wrong to begin with, and maybe there are things they didn’t account for. Such as Se-na being a horrible person, and Park-ha being part of his past life as well. Just one more step, and maybe he’ll figure out that the thwarted fate doesn’t necessarily have to be in THIS lifetime, but in the one he came from… RELATED POSTS Rooftop Prince Episode 13 Rooftop Prince Episode 12 Rooftop Prince Episode 11 Rooftop Prince Episode 10 Rooftop Prince Episode 9 Rooftop Prince Episode 8 Rooftop Prince Episode 7 The untold love story Rooftop Fashion King Rooftop Prince Episode 6 Rooftop Prince Episode 5 Rooftop Prince Episode 4 Rooftop Prince Episode 3 Rooftop Prince Episode 2 Rooftop Prince Episode 1 Tags featured, Han Ji-min, Jung Yumi 2, Lee Tae-sung, Micky Yoochun, Rooftop Prince Premium Supporter Currently Airing
MGenre: Romance, Youth Episodes: 12 (To Be Confirmed) Broadcast network: KBS2 Broadcast period: 2021-Feb-26 to 2021-May-14 Anyone have ideas for sources that has Kazoku Game in raw form and maybe a source to use for future shows? Japan Cast: Shota Sometani, Kaho, Erina Mano English Subs: Synopsis: In Notsu, Oita Prefecture, there are many
옥탑방 왕세자 / Oktabbang Wangseja Also known as Attic Prince Genre Fantasy, comedy Episodes 20 Broadcast network SBS Broadcast period 21st March 2012 Director Shin Yoon Sub KAIST, Love in Heaven, and Why Did You Come To Our House Screenwriter Lee Hee Myung Tomato, Success Story of a Bright Girl, and Bad Family Drama yang bercerita tentang Kaisar jaman joseon yang ditinggal mati oleh permaisurinya, dia lantas menyelidiki sebab-sebab kematian permaisurinya, dari mulai mencari orang-orang yang ahli dalam bidang kepintaran, mencari informasi, dan bertarung, namun dalam mencari bukti-bukti itu sang kasar dan ketiga pengawalnnya mengalami masalah-masalah. yang salah satunya nyasar ke abad 21 ^,^. Drama ini juga telah tayang Indosiar. penasaran dengan ceritanya bisa baca sinopsis nya dibawah ini. Episode 01> Episode 02> Episode 03> Episode 04> Episode 05> Episode 06> Episode 07> Episode 08> Episode 09> Episode 10> Episode 11> Episode 12> Episode 13> Episode 14> Episode 15> Episode 16> Episode 17 > Episode 18 > Episode 19 > Episode 20 > Credit Pelangidrama
Search Shining Romance Full Episodes Engsub. Otherwise they will be shown using the series' origin language To protect the shop and house that is dearer to her than her own life, she makes a dirty deal with her younger brother, Kang-jae to make her mother remarry Original Soundtrack: Shining Romance OST A drama focus on Oh Bit Na, a fifth-year housewife and 'super mom', who lives on Sinopsis Rooftop Prince – Drama Korea ini menceritakan tentang seorang putra Mahkota dari Jaman Joseon yang melakukan perjalanan waktu ke masa depan, saat melakukan perjalanan ia bertemu dengan wanita yang mirip dengan istrinya setelah meninggal karena secara misterius. Pangeran tersebut bernama Lee Gak park YooChun, Secara tidak sengaja ada kejadian aneh yang membuat Lee Gak pergi ke masa depan dan terdampar pada tahun 300 tahun di abad ke 21. pangeran Lee Gak beserta beberapa pengikutnya terdampar di atap apatermen Park Ha seorang wanita yang riang berusia 20 tahunan. Tak ada yang menyangka Park Ha memiliki wajah yang sama dengan Istri Lee Gak yang telah meninggal. Mungkin saja Park Ha reinkarnasi dari Istri Lee Gak. Judul 옥탑방 왕세자 / Rooftop Prince / Attic PrinceGenre Drama Romantis Komedi Time TravelJumlah Episode 20 EpisodePeriode Tayang 21 Maret 2012 – 24 Mei 2012Jadwal Tayang SBS Rabu dan Kamis KSTPemeran Utama Park Yuchun Han Ji-min Jeong Yu-mi Lee Tae-sung Lee Min-ho Jung Suk-won Choi Woo-shik Daftar pemain Rooftop Prince Park Yoochun sebagai Prince Lee Gak / Yong Tae-yong Terrence Yong Han Ji-min sebagai Park-ha / Hong Bu-yong Jeong Yu-mi sebagai Hong Se-na / Hong Hwa-yong Lee Tae-sung sebagai Yong Tae-mu Tommy Yong / Pangeran Muchang Lee Min-ho sebagai Song Man-bo Jung Suk-won sebagai Wu Yong-sul Choi Woo-shik sebagai Do Chi-san Kim Yoo-suk sebagai Raja, ayah Yi Gak Choi Won Hong sebagai Yi Gak muda Jun Min Seo sebagai Bu-yong muda / Park Ha muda Kim So-hyun sebagai Hwa-yong muda / Se-na muda Sinopsis Drama Korea Rooftop Prince Episode 1-20 Sinopsis Drama Korea Rooftop Prince Episode 1 Sinopsis Drama Korea Rooftop Prince Episode 2 Sinopsis Drama Korea Rooftop Prince Episode 3 Sinopsis Drama Korea Rooftop Prince Episode 4 Sinopsis Drama Korea Rooftop Prince Episode 5 Sinopsis Drama Korea Rooftop Prince Episode 6 Sinopsis Drama Korea Rooftop Prince Episode 7 Sinopsis Drama Korea Rooftop Prince Episode 8 Sinopsis Drama Korea Rooftop Prince Episode 9 Sinopsis Drama Korea Rooftop Prince Episode 10 Sinopsis Drama Korea Rooftop Prince Episode 11 Sinopsis Drama Korea Rooftop Prince Episode 12 Sinopsis Drama Korea Rooftop Prince Episode 13 Sinopsis Drama Korea Rooftop Prince Episode 14 Sinopsis Drama Korea Rooftop Prince Episode 15 Sinopsis Drama Korea Rooftop Prince Episode 16 Sinopsis Drama Korea Rooftop Prince Episode 17 Sinopsis Drama Korea Rooftop Prince Episode 18 Sinopsis Drama Korea Rooftop Prince Episode 19 Sinopsis Drama Korea Rooftop Prince Episode 20 [TAMAT] Selamat Mmebaca Sinopsis Rooftop Prince. Baca Juga Sinopsis Scholar Who Walks The Night. Semoga bermanfaat.
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SinopsisRooftop Prince. Rooftop Prince Drama Rooftop Prince menceritakan tentang pangeran dari dinasti Joseon yang ditinggal mati istrinya. Ketika merasa kehilangan, tiba-tiba ia terdampar di abad 21. Rooftop Prince Episode 20. Desember 21, 2019. 19. Rooftop Prince Episode 19. Desember 21, 2019. 18. Rooftop Prince Episode 18. Desember 21

Original title Ok-tab-bang Wang-se-jaTV Series20121h 5mCrown Prince Lee Gak transports 300 years into the future following the death of his wife; in 21st century Seoul, he meets Joo Se-Na, a woman with an uncanny resemblance to the deceased prin... Read allCrown Prince Lee Gak transports 300 years into the future following the death of his wife; in 21st century Seoul, he meets Joo Se-Na, a woman with an uncanny resemblance to the deceased Prince Lee Gak transports 300 years into the future following the death of his wife; in 21st century Seoul, he meets Joo Se-Na, a woman with an uncanny resemblance to the deceased production, box office & company infoEpisodes20More like thisReview Good timeslip seriesOK some of the acting, part from the leads is a bit iffy but the tneslip plot is well done with good twists and turns and a satisfying ending. Mainly st in modern Seoul ut with parts from 300 years ago with some interesting questions raisd on how reincarntion might first half is truly very funny in a fish out of water way but the plot gets serious half way through. The romance is sweet and well done and the plot weaves in and out keeping me anyway involved till the very good end. Really enjoyed this. Watched on 18, 2021Contribute to this pageSuggest an edit or add missing contentBy what name was Rooftop Prince 2012 officially released in Canada in English?AnswerEdit pageAdd episodeMore to exploreRecently viewedYou have no recently viewed pages

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sinopsis rooftop prince episode 20